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The poetic work of Volodymyr Yevtykhiovych Svidzinsky is a unique phenomenon in Ukrainian literature of the first half of the 20th century. The world in the writer’s poems, as noted by the French Slavist Emmanuel Rice, is “a country where no human foot has yet set foot, a country that amazes with its novelty and unusualness.” Today, when Ukrainian culture has taken a hundred-year step from the era of the unique Renaissance, the reader is presented with a general philological work designed to unite the views of linguists and literary critics on the work of one of the most large-scale poets of the Shot Renaissance. The monograph is devoted to substantiating the essential features of the motif of a lyrical work, analyzing the motif structure of Volodymyr Svidzinsky’s poems, and clarifying the specifics of lexical and syntactic means of expressing key motifs and artistic time-space in the artist’s poetry.